Caroline Evans analyzes the work of experimental designers, the images of fashion photographers, and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion's dark side and what it signifies. Fashion at the Edge considersa range of cutting-edge contemporary fashion in. Download PDF Did you struggle to get access to this article? Caroline Evans and Minna Thornton. Feminist Review 1991 38: 1, 48-66. Fashion, Representation. Christopher Breward is deputy head of research at the Victoria and Albert Museum and visiting professorial fellow at the London College of Fashion.Edwina Ehrman is curator of Dress & Decorative Art at the Museum of London.Caroline Evans, reader in fashion studies at Central Saint Martins College of Art and Design, London, is also the author of Fashion at the Edge, published by Yale University.

Fashion at the Edge: Spectacle, Modernity and Deathliness by Caroline Evans.

图书标签: 服装FASHION时尚fashion艺术设计设计/艺术/fashion/media时装设计

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发表于2020-12-13

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Fashion at the Edge epub 下载 mobi 下载 pdf 下载 txt 下载

Fashion at the Edge pdf epub mobi txt 下载

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Recent experimental fashion has a dark side, a preoccupation with representations of death, trauma, alienation, and decay. This intriguing book looks closely at this strand of fashion design in the 1990s, exploring what its disturbing themes tell us about consumer culture and contemporary anxieties. Caroline Evans analyzes the work of experimental designers, the images of fashion photographers, and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion's dark side and what it signifies. Fashion at the Edge considers a range of cutting-edge contemporary fashion in unprecedented depth and detail, including the work of such current designers as John Galliano, Alexander McQueen, Hussein Chalayan, and Viktor & Rolf. Contrasting images by photographers like Steven Meisel, Nick Knight, and Juergen Teller are also reviewed. Drawing on diverse perspectives from Marx to Walter Benjamin, Evans shows that fashion stands at the very center of the contemporary, and that it voices some of Western culture's deepest concerns.

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Caroline Evans真神人！ps 要转变写完文章后才拿到书的悲剧...

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非常好的书，解决了我很多心头的困惑。终于不用在纠结了和矛盾了，和服装的关系也不似从前的充满敌意。我起初以为服装是形式大于内容，但现在我知道了它是内容大于形式，只是取决于我的角度和我要诉说的东西。很鼓舞人心吧，这么说虽然蛮搞笑的。也很好的联系了商品时代的各种分析，很好的理顺了90s到2000s阶段里一些现象的本质分析。现在不得不惊叹二十多年前的种种理论是多么的先锋，人一只发展得无法达到理论的速度，但是理论又是何等的正确。不能用预测，而是想说人类的发展总是被阻碍。唯一的遗憾是结尾的总结我觉得比较苍白，也可能是站在今天的角度看的缘故。服装已经空虚了十年多了，我现在对他的未来充满着乐观的畅想。

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A book entitled From Fashion Show to Exhibition written by Maude Pesant-Johnson, published by Unknown which was released on 13 December 2020. Download From Fashion Show to Exhibition Books now! Available in PDF, EPUB, Mobi Format.The exhibition format, as both space and medium, has developed as a site for pragmatic, interdisciplinary experiments of the performative. The North-American fashion exhibition Alexander McQueen: Savage Beauty (2011 and 2015) proved to be a significant case study of this cultural phenomenon materializing through curatorial and exhibition-making practices. At the intersection of a legacy of theatrical aesthetic and new museological and technological possibilities taking shape in the 2010s, the multi-layered blockbuster emerges from the tensions raised by its investment in the materiality of performance, its deep entrenchment in consumer culture, and its memento mori scheme. As a substantial entry point to the study of a museology of the performative, Savage Beauty is analysed throughout this thesis for its relation to the experience, as both subject matter, displayed 2object3 and product of consumption. I discuss the translation of one medium into another taking shape through the retrospective: the way in which the institution transposes the fashion show into the format of an exhibition. At once a response to the history of fashion curating, this thesis intends to examine the issues conveyed by the politics of embodiment in the fashion exhibition system via a focus on the specificities of Savage Beauty, observed through the lenses of the experiential, performativity, and theatricality.